Ovetari Chapel
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Ovetari Chapel
Summary
Ovetari Chapel is a chapel[1]. It draws 209 Wikipedia views per month (chapel category, ranking #52 of 285).[2]
Key Facts
- Ovetari Chapel is the creator of Andrea Mantegna[3].
- Ovetari Chapel is the creator of Niccolò Pizzolo[4].
- Ovetari Chapel is the creator of Giovanni d'Alemagna[5].
- Ovetari Chapel is the creator of Bono da Ferrara[6].
- Ovetari Chapel is the creator of Antonio Vivarini[7].
- Ovetari Chapel is the creator of Ansuino da Forlì[8].
- Ovetari Chapel is located in Padua[9].
- Ovetari Chapel is in the country of Italy[10].
- Ovetari Chapel's instance of is recorded as chapel[11].
- Ovetari Chapel took place at Church of the Eremitani[12].
- Ovetari Chapel's Commons category is recorded as Cappella Ovetari[13].
- Ovetari Chapel comprises Q140602931[14].
- 1457 marks the founding of Ovetari Chapel[15].
- Ovetari Chapel's coordinate location is recorded as {'lat': 45.41027778, 'lon': 11.88}[16].
- Ovetari Chapel's native label is recorded as {'lang': 'it', 'text': 'Cappella Ovetari'}[17].
- Ovetari Chapel's name is recorded as {'lang': 'fr', 'text': 'Chapelle de San-Cristofano'}[18].
- Ovetari Chapel's name is recorded as {'lang': 'fr', 'text': 'chapelle de Saint-Christophe'}[19].
Body
Authorship and Creation
Created works include Andrea Mantegna[3], a painter[20], 1431–1506[21], of Republic of Venice[22], specialised in painting[23]; Niccolò Pizzolo[4], a painter[24], 1421–1453[25], of Republic of Venice[26]; Giovanni d'Alemagna[5], a painter[27], of Germany[28]; Bono da Ferrara[6], a painter[29]; Antonio Vivarini[7], a painter[30], 1415–1480[31], of Republic of Venice[32]; and Ansuino da Forlì[8], a painter[33], 1420–1460[34].
Material and Period
Ovetari Chapel took place at Church of the Eremitani[12].
Why It Matters
Ovetari Chapel draws 209 Wikipedia views per month (chapel category, ranking #52 of 285).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[35] It is known by 9 alternative names across languages and contexts.[36]