Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender

Summary

Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender is a doctoral thesis^[1].

Key Facts

• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender held citizenship in Desires, identifications, and gender — country of citizenship (P27): Vietnam^[2].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender authored Desires, identifications, and gender — author (P50): Thi Gammon^[3].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's instance of is recorded as Desires, identifications, and gender — instance of (P31): doctoral thesis^[4].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's publisher is recorded as Desires, identifications, and gender — publisher (P123): Open Access Repository Victoria University of Wellington^[5].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's DOI is recorded as 10.26686/WGTN.16823773^[6].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's language of work or name is recorded as Desires, identifications, and gender — language of work or name (P407): New Zealand English^[7].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's language of work or name is recorded as Desires, identifications, and gender — language of work or name (P407): Vietnamese^[8].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's language of work or name is recorded as Desires, identifications, and gender — language of work or name (P407): Korean^[9].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's country of origin is recorded as Desires, identifications, and gender — country of origin (P495): New Zealand^[10].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's publication date is recorded as +2021-10-18T00:00:00Z^[11].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): media studies^[12].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): television^[13].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): audience research^[14].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): gender^[15].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): qualitativeness^[16].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): Vietnam^[17].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): Korean Wave^[18].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's main subject is recorded as Desires, identifications, and gender — main subject (P921): Korean drama^[19].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's title is recorded as Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender^[20].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's copyright holder is recorded as Desires, identifications, and gender — copyright holder (P3931): Thi Gammon^[21].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's thesis submitted to is recorded as Desires, identifications, and gender — thesis submitted to (P4101): Victoria University of Wellington^[22].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's on focus list of Wikimedia project is recorded as Desires, identifications, and gender — on focus list of Wikimedia project (P5008): NZThesisProject^[23].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's copyright status is recorded as Desires, identifications, and gender — copyright status (P6216): copyrighted^[24].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's thesis committee member is recorded as Desires, identifications, and gender — thesis committee member (P9161): Stephen Epstein^[25].
• Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's thesis committee member is recorded as Desires, identifications, and gender — thesis committee member (P9161): Joost de Bruin^[26].

Body

Designation and Status

Vietnamese reception of soft masculinities in Korean television dramas: Desires, identifications, and gender's instance of is recorded as Desires, identifications, and gender — instance of (P31): doctoral thesis^[4].