Two Days of Miracles
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Two Days of Miracles
Summary
Two Days of Miracles is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (4 views/month).[2]
Key Facts
- Two Days of Miracles's instance of is recorded as film[3].
- Two Days of Miracles was directed by Lev Mirsky[4].
- Aleksandr Khmelik wrote the screenplay for Two Days of Miracles[5].
- Two Days of Miracles's composer is recorded as Bogdan Trotsoek[6].
- Two Days of Miracles's genre is comedy film[7].
- Two Days of Miracles's genre is fantasy film[8].
- Two Days of Miracles's genre is children's film[9].
- A cast member of Two Days of Miracles was Leonid Kuravlyov[10].
- Two Days of Miracles's production company is recorded as Gorky Film Studio[11].
- Two Days of Miracles's director of photography is recorded as Aleksandr Rybin[12].
- The original language of Two Days of Miracles was Russian[13].
- Two Days of Miracles's color is recorded as color[14].
- Two Days of Miracles's country of origin is recorded as Soviet Union[15].
- Two Days of Miracles was released on January 1, 1970[16].
- Two Days of Miracles's main subject is body swap[17].
- Two Days of Miracles's title is recorded as Два дня чудес[18].
- Two Days of Miracles's duration is recorded as {'amount': '+68'}[19].
- Two Days of Miracles's P14821 is recorded as 383322[20].
Body
Authorship and Creation
Two Days of Miracles was directed by Lev Mirsky[4]. Aleksandr Khmelik wrote the screenplay for it[5]. A cast member of it was Leonid Kuravlyov[10].
Publication
Two Days of Miracles was released on January 1, 1970[16]. The original language of it was Russian[13]. Genres include comedy film[7], fantasy film[8], and children's film[9].
Subject and Themes
Two Days of Miracles's main subject is body swap[17].
Why It Matters
Two Days of Miracles ranks in the top 4% of film entities by monthly Wikipedia readership (4 views/month).[2] It has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[21] It is known by 7 alternative names across languages and contexts.[22]