Transforming Folk: Innovation and Tradition in English Folk–Rock Music
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Transforming Folk: Innovation and Tradition in English Folk–Rock Music
Summary
Transforming Folk: Innovation and Tradition in English Folk–Rock Music is a doctoral thesis[1].
Key Facts
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music authored Innovation and Tradition in English Folk–Rock Music — author (P50): Rob Burns[2].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's instance of is recorded as Innovation and Tradition in English Folk–Rock Music — instance of (P31): doctoral thesis[3].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's publisher is recorded as Innovation and Tradition in English Folk–Rock Music — publisher (P123): OUR Archive[4].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's language of work or name is recorded as Innovation and Tradition in English Folk–Rock Music — language of work or name (P407): English[5].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's country of origin is recorded as Innovation and Tradition in English Folk–Rock Music — country of origin (P495): New Zealand[6].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's publication date is recorded as +2008-00-00T00:00:00Z[7].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's main subject is recorded as Innovation and Tradition in English Folk–Rock Music — main subject (P921): United Kingdom[8].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's main subject is recorded as Innovation and Tradition in English Folk–Rock Music — main subject (P921): historical criticism[9].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's main subject is recorded as Innovation and Tradition in English Folk–Rock Music — main subject (P921): rock music[10].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's main subject is recorded as Innovation and Tradition in English Folk–Rock Music — main subject (P921): popular music[11].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's Handle ID is recorded as 10523/451[12].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's title is recorded as Transforming Folk: Innovation and Tradition in English Folk–Rock Music[13].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's copyright holder is recorded as Innovation and Tradition in English Folk–Rock Music — copyright holder (P3931): Rob Burns[14].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's thesis submitted to is recorded as Innovation and Tradition in English Folk–Rock Music — thesis submitted to (P4101): University of Otago[15].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's on focus list of Wikimedia project is recorded as Innovation and Tradition in English Folk–Rock Music — on focus list of Wikimedia project (P5008): NZThesisProject[16].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's copyright status is recorded as Innovation and Tradition in English Folk–Rock Music — copyright status (P6216): copyrighted[17].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's thesis committee member is recorded as Innovation and Tradition in English Folk–Rock Music — thesis committee member (P9161): Suzanne Court[18].
- Transforming Folk: Innovation and Tradition in English Folk–Rock Music's thesis committee member is recorded as Innovation and Tradition in English Folk–Rock Music — thesis committee member (P9161): Henry Johnson[19].
Body
Designation and Status
Transforming Folk: Innovation and Tradition in English Folk–Rock Music's instance of is recorded as Innovation and Tradition in English Folk–Rock Music — instance of (P31): doctoral thesis[3].