The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1
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The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1
Summary
The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 is an album[1]. It has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1's instance of is recorded as album[3].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1's genre is groove metal[4].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 was produced by Kevin Churko[5].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 was performed by Five Finger Death Punch[6].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1's record label is recorded as Prospect Park[7].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 is part of Five Finger Death Punch's albums in chronological order[8].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1's language of work or name is recorded as English[9].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 was distributed by music streaming[10].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 was released on July 30, 2013[11].
- The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1's tracklist is recorded as Lift Me Up[12].
Body
Authorship and Creation
Among the performers on The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 was Five Finger Death Punch[6]. It was produced by Kevin Churko[5].
Publication
The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 was published on July 30, 2013[11]. Its language of work or name is recorded as English[9]. Its genre is groove metal[4]. It is part of Five Finger Death Punch's albums in chronological order[8]. It was distributed by music streaming[10].
Why It Matters
The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[2]