The Selecter
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The Selecter
Summary
The Selecter is a musical group[1]. It ranks in the top 6% of musical_group entities by monthly Wikipedia readership (1,627 views/month).[2]
Key Facts
- The Selecter's instance of is recorded as musical group[3].
- The Selecter's genre is ska[4].
- The Selecter's record label is recorded as 2 Tone Records[5].
- The Selecter's Commons category is recorded as The Selecter[6].
- The Selecter's country of origin is recorded as United Kingdom[7].
- The Selecter comprises Pauline Black[8].
- The Selecter comprises Neol Davies[9].
- 1979 marks the founding of The Selecter[10].
- The Selecter's location of formation is recorded as Coventry[11].
- The Selecter's official website is recorded as http://www.theselecter.net/[12].
- The Selecter's start of work period is recorded as 1979[13].
- The Selecter's number of viewers/listeners is recorded as {'amount': '+1235736'}[14].
- The Selecter's social media followers is recorded as {'amount': '+14081'}[15].
- The Selecter's social media followers is recorded as {'amount': '+15404'}[16].
- The Selecter's social media followers is recorded as {'amount': '+16687'}[17].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Type: Group[18]
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Country: GB[19]
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Began / founded: 1979[20]
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Genre(s): 2 tone, alternative rock, indie rock, new wave, punk, ska[21]
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Community tags: 2 tone, alternative rock, indie rock, new wave, punk, rock and indie, ska[22]
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MusicBrainz ID: 1329faaf-799f-44e2-91f9-87fe52f17afd[23]
Body
Founding
1979 marks the founding of The Selecter[10]. Its location of formation is recorded as Coventry[11].
Why It Matters
The Selecter ranks in the top 6% of musical_group entities by monthly Wikipedia readership (1,627 views/month).[2] It has Wikipedia articles in 11 language editions, a strong signal of global cultural recognition.[24] It is known by 7 alternative names across languages and contexts.[25]