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The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.

2015 master's thesis by Sandra Noeline Crawshaw at University of Otago
Place master_s_thesis Q112908515
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The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.

Summary

The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions. is a master's thesis[1].

Key Facts

  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions. authored Contexts and Institutions. — author (P50): Sandra Noeline Crawshaw[2].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s instance of is recorded as Contexts and Institutions. — instance of (P31): master's thesis[3].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s publisher is recorded as Contexts and Institutions. — publisher (P123): OUR Archive[4].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s language of work or name is recorded as Contexts and Institutions. — language of work or name (P407): English[5].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s country of origin is recorded as Contexts and Institutions. — country of origin (P495): New Zealand[6].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s publication date is recorded as +2015-00-00T00:00:00Z[7].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s main subject is recorded as Contexts and Institutions. — main subject (P921): Belle Cole[8].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s main subject is recorded as Contexts and Institutions. — main subject (P921): Emma Albani[9].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s main subject is recorded as Contexts and Institutions. — main subject (P921): Paul Dufault[10].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s main subject is recorded as Contexts and Institutions. — main subject (P921): Cécile Chaminade[11].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s work available at URL is recorded as https://ourarchive.otago.ac.nz/handle/10523/5837[12].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s Handle ID is recorded as 10523/5837[13].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s title is recorded as The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.[14].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s copyright holder is recorded as Contexts and Institutions. — copyright holder (P3931): Sandra Noeline Crawshaw[15].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s thesis submitted to is recorded as Contexts and Institutions. — thesis submitted to (P4101): University of Otago[16].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s on focus list of Wikimedia project is recorded as Contexts and Institutions. — on focus list of Wikimedia project (P5008): NZThesisProject[17].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s copyright status is recorded as Contexts and Institutions. — copyright status (P6216): copyrighted[18].
  • The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s thesis committee member is recorded as Contexts and Institutions. — thesis committee member (P9161): Andrew Deruchie[19].

Body

Designation and Status

The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.'s instance of is recorded as Contexts and Institutions. — instance of (P31): master's thesis[3].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . wikidata.org.
  2. [2] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  3. [4] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . wikidata.org.
  7. [8] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  8. [9] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  9. [10] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  10. [11] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  11. [12] ↑ . wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . wikidata.org.
  16. [17] ↑ . wikidata.org.
  17. [18] ↑ . wikidata.org.
  18. [19] ↑ . wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

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Use these citations when quoting this entity in research, articles, AI prompts, or wherever provenance matters. We aggregate Wikidata + Wikipedia + authoritative open-data sources; the stitched, scored, cross-referenced view is what 4ort.xyz contributes.

APA 4ort.xyz Knowledge Graph. (2026). The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.. Retrieved May 3, 2026, from https://4ort.xyz/entity/the-reception-of-the-music-of-c-cile-chaminade-in-colonial-new-zealand-1894-1934-contexts-and-institutions-
MLA “The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions..” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/the-reception-of-the-music-of-c-cile-chaminade-in-colonial-new-zealand-1894-1934-contexts-and-institutions-.
BibTeX @misc{4ortxyz_the-reception-of-the-music-of-c-cile-chaminade-in-colonial-new-zealand-1894-1934-contexts-and-institutions-_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{The Reception of the Music of Cécile Chaminade in Colonial New Zealand (1894 - 1934): Contexts and Institutions.}}, year = {2026}, url = {https://4ort.xyz/entity/the-reception-of-the-music-of-c-cile-chaminade-in-colonial-new-zealand-1894-1934-contexts-and-institutions-}, note = {Accessed: 2026-05-03}}
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