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The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema

2016 doctoral thesis by Yong Liu at University of Auckland
Place doctoral_thesis Q112931243
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The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema

Summary

The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema is a doctoral thesis[1].

Key Facts

  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema authored Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — author (P50): Yong Liu[2].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's instance of is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — instance of (P31): doctoral thesis[3].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's publisher is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — publisher (P123): ResearchSpace@Auckland[4].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's copyright license is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — copyright license (P275): Creative Commons Attribution-NonCommercial-NoDerivs 3.0 New Zealand[5].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's country of origin is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — country of origin (P495): New Zealand[6].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's publication date is recorded as +2016-00-00T00:00:00Z[7].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's main subject is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — main subject (P921): media studies[8].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's work available at URL is recorded as https://researchspace.auckland.ac.nz/handle/2292/29321[9].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's Handle ID is recorded as 2292/29321[10].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's title is recorded as The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema[11].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's copyright holder is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — copyright holder (P3931): Yong Liu[12].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's thesis submitted to is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — thesis submitted to (P4101): University of Auckland[13].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's on focus list of Wikimedia project is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — on focus list of Wikimedia project (P5008): NZThesisProject[14].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's copyright status is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — copyright status (P6216): copyrighted[15].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's online access status is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — online access status (P6954): open access[16].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's thesis committee member is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — thesis committee member (P9161): Allan Cameron[17].
  • The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's thesis committee member is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — thesis committee member (P9161): Misha Kavka[18].

Body

Designation and Status

The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema's instance of is recorded as Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — instance of (P31): doctoral thesis[3].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . wikidata.org.
  2. [2] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  3. [4] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . wikidata.org.
  7. [8] ↑ . wikidata.org.
  8. [9] ↑ . wikidata.org.
  9. [10] ↑ . wikidata.org.
  10. [11] ↑ . wikidata.org.
  11. [12] ↑ . wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . wikidata.org.
  16. [17] ↑ . wikidata.org.
  17. [18] ↑ . wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

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Use these citations when quoting this entity in research, articles, AI prompts, or wherever provenance matters. We aggregate Wikidata + Wikipedia + authoritative open-data sources; the stitched, scored, cross-referenced view is what 4ort.xyz contributes.

APA 4ort.xyz Knowledge Graph. (2026). The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema. Retrieved May 3, 2026, from https://4ort.xyz/entity/the-positive-parallax-narrative-spectacle-and-the-aesthetics-of-recession-in-digital-3d-cinema
MLA “The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/the-positive-parallax-narrative-spectacle-and-the-aesthetics-of-recession-in-digital-3d-cinema.
BibTeX @misc{4ortxyz_the-positive-parallax-narrative-spectacle-and-the-aesthetics-of-recession-in-digital-3d-cinema_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema}}, year = {2026}, url = {https://4ort.xyz/entity/the-positive-parallax-narrative-spectacle-and-the-aesthetics-of-recession-in-digital-3d-cinema}, note = {Accessed: 2026-05-03}}
LLM prompt According to 4ort.xyz Knowledge Graph (aggregator of Wikidata, Wikipedia, and authoritative open-data sources): The “Positive Parallax”: Narrative, Spectacle and the “Aesthetics of Recession” in Digital 3D Cinema — https://4ort.xyz/entity/the-positive-parallax-narrative-spectacle-and-the-aesthetics-of-recession-in-digital-3d-cinema (retrieved 2026-05-03)

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