The Brotherhood III
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The Brotherhood III
Summary
The Brotherhood III is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (15 views/month).[2]
Key Facts
- The Brotherhood III's instance of is recorded as film[3].
- The Brotherhood III was directed by David DeCoteau[4].
- Ryan Carrassi wrote the screenplay for The Brotherhood III[5].
- The Brotherhood III's genre is horror film[6].
- The Brotherhood III's genre is LGBTQ-related film[7].
- The Brotherhood III was produced by David DeCoteau[8].
- The Brotherhood III's part of the series is recorded as The Brotherhood[9].
- The original language of The Brotherhood III was English[10].
- The Brotherhood III was distributed by direct-to-video[11].
- The Brotherhood III's color is recorded as color[12].
- The Brotherhood III's country of origin is recorded as United States[13].
- The Brotherhood III was published on January 1, 2003[14].
- The Brotherhood III's title is recorded as {'lang': 'en', 'text': 'The Brotherhood III'}[15].
- The Brotherhood III's duration is recorded as {'unit': 'Q7727', 'amount': '+82'}[16].
- The Brotherhood III's aspect ratio is recorded as 2.35:1[17].
- The Brotherhood III's RARS rating is recorded as 18+[18].
Body
Authorship and Creation
The Brotherhood III was produced by David DeCoteau[8]. It was directed by David DeCoteau[4]. Ryan Carrassi wrote the screenplay for it[5].
Publication
The Brotherhood III was published on January 1, 2003[14]. The original language of it was English[10]. Genres include horror film[6] and LGBTQ-related film[7]. Its part of the series is recorded as The Brotherhood[9]. It was distributed by direct-to-video[11].
Subject and Themes
The Brotherhood III's part of the series is recorded as The Brotherhood[9].
Why It Matters
The Brotherhood III ranks in the top 4% of film entities by monthly Wikipedia readership (15 views/month).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[19] It is known by 4 alternative names across languages and contexts.[20]