Tank Man
photography of an anonymous man who stood in front of a column of Chinese tanks during the Tiananmen Square protests
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Summary
Tank Man is a photograph[1]. It is known by 6 alternative names across languages and contexts.[2]
Key Facts
- Tank Man's instance of is recorded as photograph[3].
- Tank Man was published by Associated Press[4].
- Tank Man's genre is photojournalism[5].
- Tank Man's depicts is recorded as Tank Man[6].
- Tank Man's depicts is recorded as Type 59[7].
- Tank Man's depicts is recorded as 1989 Tiananmen Square protests and massacre[8].
- Tank Man is made of gelatin silver print[9].
- Tank Man's collection is recorded as National Gallery of Art[10].
- Tank Man's inventory number is recorded as 2018.177.631[11].
- Tank Man took place at Tiananmen Square[12].
- June 5, 1989 marks the founding of Tank Man[13].
- Tank Man's described at URL is recorded as https://time.com/3809688/tank-man-iconic-tiananmen-photo/[14].
- Tank Man's described by source is recorded as 100 Photographs: The Most Influential Images of All Time[15].
- Tank Man's title is recorded as {'lang': 'en', 'text': 'Tank Man'}[16].
- Tank Man's inscription is recorded as {'lang': 'en', 'text': '(BEJ-15)BEIJING, June 5 (AP)-BRAVE MAN--A Chinese man stands in front of / tanks heading east down Cangan Bvd. Monday morning in front of the Beijing / Hotel stopping their advance as he cried and pleaded for an end to the killing. / The man was pulled away by bystanders, and the tanks continued on their way. / (AP ColorPhoto) (ma21644stf/jeff widener) 1989 / AP LEAFAX ----- MAGENTA ----- AP LEAFAX'}[17].
- Tank Man's height is recorded as {'unit': 'centimetre', 'amount': '+19.8'}[18].
- Tank Man's width is recorded as {'unit': 'centimetre', 'amount': '+25.6'}[19].
- Tank Man's copyright status is recorded as copyrighted[20].
- Tank Man's access restriction status is recorded as fully restricted access[21].
- Tank Man's P14574 is recorded as Jeff Widener[22].
Why It Matters
Tank Man is known by 6 alternative names across languages and contexts.[2]