Sub Pop 200
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Sub Pop 200
Summary
Sub Pop 200 is an album[1]. It ranks in the top 2% of album entities by monthly Wikipedia readership (126 views/month).[2]
Key Facts
- Sub Pop 200's instance of is recorded as album[3].
- Sub Pop 200's genre is grunge[4].
- Sub Pop 200 followed Sub Pop 100[5].
- Sub Pop 200 was followed by Fuck Me I'm Rich[6].
- Sub Pop 200 was produced by Jack Endino[7].
- Among the performers on Sub Pop 200 was various artists[8].
- Sub Pop 200's record label is recorded as Sub Pop[9].
- Sub Pop 200's place of publication is recorded as United States[10].
- Sub Pop 200's language of work or name is recorded as English[11].
- Sub Pop 200 was published on December 28, 1988[12].
- Sub Pop 200's cover art by is recorded as Charles Burns[13].
- Sub Pop 200's title is recorded as {'lang': 'en', 'text': 'Sub Pop 200'}[14].
- Sub Pop 200's form of creative work is recorded as compilation album[15].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Album[16]
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Secondary type(s): Compilation[17]
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First release date: 1988-12[18]
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Genre(s): alternative rock, folk rock, garage rock, grunge, psychedelic rock, rock[19]
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Community tags: alternative rock, folk rock, garage rock, grunge, psychedelic rock, rock[20]
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MusicBrainz ID: c54a7203-0de5-38fc-b828-89d0c257d1db[21]
Body
Authorship and Creation
Sub Pop 200 was performed by various artists[8]. It was produced by Jack Endino[7].
Publication
Sub Pop 200 was published on December 28, 1988[12]. Its place of publication is recorded as United States[10]. Its language of work or name is recorded as English[11]. Its genre is grunge[4].
Adaptations and Inspiration
Sub Pop 200 followed Sub Pop 100[5]. It was followed by Fuck Me I'm Rich[6].
Why It Matters
Sub Pop 200 ranks in the top 2% of album entities by monthly Wikipedia readership (126 views/month).[2] It has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[22]