Strong Poison
0 sources
Strong Poison
Summary
Strong Poison is a literary work[1]. It ranks in the top 4% of literary_work entities by monthly Wikipedia readership (1,375 views/month).[2]
Key Facts
- Strong Poison authored Dorothy L. Sayers[3].
- Strong Poison's instance of is recorded as literary work[4].
- Strong Poison was published by Gollancz[5].
- Strong Poison's genre is crime literature[6].
- Strong Poison's genre is detective literature[7].
- Strong Poison followed The Unpleasantness at the Bellona Club[8].
- Strong Poison was followed by Five Red Herrings[9].
- Strong Poison's part of the series is recorded as Lord Peter Wimsey mysteries[10].
- Strong Poison's language of work or name is recorded as English[11].
- Strong Poison's country of origin is recorded as United Kingdom[12].
- Strong Poison was released on 1930[13].
- Strong Poison's characters is recorded as Lord Peter Wimsey[14].
- Strong Poison's characters is recorded as Harriet Vane[15].
- Strong Poison's characters is recorded as Charles Parker[16].
- Strong Poison's title is recorded as Strong Poison[17].
- Strong Poison's derivative work is recorded as A Dorothy L. Sayers Mystery[18].
Body
Authorship and Creation
Strong Poison authored Dorothy L. Sayers[3]. It was published by Gollancz[5].
Publication
Strong Poison was published on 1930[13]. Its language of work or name is recorded as English[11]. Genres include crime literature[6] and detective literature[7]. Its part of the series is recorded as Lord Peter Wimsey mysteries[10].
Subject and Themes
Strong Poison's part of the series is recorded as Lord Peter Wimsey mysteries[10].
Adaptations and Inspiration
Strong Poison followed The Unpleasantness at the Bellona Club[8]. It was followed by Five Red Herrings[9].
Why It Matters
Strong Poison ranks in the top 4% of literary_work entities by monthly Wikipedia readership (1,375 views/month).[2] It has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[19] It is known by 13 alternative names across languages and contexts.[20]