Rosalina
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Rosalina
Summary
Rosalina is a fictional human[1]. She ranks in the top 0.32% of fictional_human entities by monthly Wikipedia readership (6,330 views/month, #17 of 5,308).[2]
Key Facts
- Rosalina is the creator of Yoshiaki Koizumi[3].
- Rosalina is recorded as female[4].
- Rosalina's instance of is recorded as fictional human[5].
- Rosalina's instance of is recorded as video game character[6].
- Rosalina's noble title is recorded as princess[7].
- Rosetta Stone is named after Rosalina[8].
- Rosalina's Commons category is recorded as Rosalina (Mario)[9].
- Rosalina comprises Baby Rosalina[10].
- February 3, 2007 marks the founding of Rosalina[11].
- Rosalina's voice actor is recorded as Laura Faye Smith[12].
- Rosalina's voice actor is recorded as Mercedes Rose[13].
- Rosalina's given name is recorded as Rosalina[14].
- Rosalina's given name is recorded as Rosetta[15].
- Rosalina's given name is recorded as Harmonie[16].
- Rosalina's given name is recorded as Rosalinda[17].
- Rosalina's given name is recorded as Estela[18].
- Rosalina's described at URL is recorded as https://play.nintendo.com/themes/friends/rosalina/[19].
- Rosalina's from narrative universe is recorded as Super Mario universe[20].
- Rosalina's present in work is recorded as Super Smash Bros.[21].
- Rosalina's present in work is recorded as Super Mario Party[22].
- Rosalina's present in work is recorded as Super Mario Galaxy[23].
- Rosalina's present in work is recorded as Mario[24].
- Rosalina's present in work is recorded as Mario Kart Wii[25].
- Rosalina's present in work is recorded as Mario Kart 7[26].
- Rosalina's present in work is recorded as Mario Kart 8[27].
Body
Works and Contributions
Rosalina is the creator of Yoshiaki Koizumi[3].
Why It Matters
Rosalina ranks in the top 0.32% of fictional_human entities by monthly Wikipedia readership (6,330 views/month, #17 of 5,308).[2] She has Wikipedia articles in 16 language editions, a strong signal of global cultural recognition.[28] She is known by 15 alternative names across languages and contexts.[29]