Queen II
0 sources
Summary
Queen II is an album[1]. It ranks in the top 0.3% of album entities by monthly Wikipedia readership (8,125 views/month, #180 of 60,676).[2]
Key Facts
- Genre: rock music[3], art rock[4], hard rock[5], glam rock[6], heavy metal music[7], progressive rock[8]
- Producer: Roy Thomas Baker[9]
- Performer: Queen[10]
- Record label: Parlophone[11], Elektra[12], EMI[13]
- Place of publication: United Kingdom[14]
- Part of: Queen's albums in chronological order[15], The Complete Works[16]
- Language of work or name: English[17]
- Distribution format: vinyl record[18], music streaming[19]
- Recorded at studio or venue: Trident Studios[20]
- Publication date: March 8, 1974[21]
- Tracklist: Procession[22], Father to Son[23], White Queen (As It Began)[24], Some Day One Day[25], The Loser in the End[26], Ogre Battle[27], The Fairy Feller's Master-Stroke[28], Nevermore[29], The March of the Black Queen[30], Funny How Love Is[31], Seven Seas of Rhye[32]
- Title: Queen II[33]
- Duration: 2443 seconds[34]
- Number of parts of this work: 11[35]
- Non-free artwork image URL: https://www.queenonline.com/global/assets/modules/site/images/music/QUEEN_2.jpg[36]
- Form of creative work: studio album[37]
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Album[38]
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First release date: 1974-04-09[39]
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Genre(s): art rock, glam rock, hard rock, heavy metal, medieval, progressive rock, rock[40]
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Community tags: 1–4 wochen, album rock, art rock, bittersweet, eclectic, glam rock, hard rock, heavy metal, laut.de, medieval, musikexpress.de, offizielle charts, progressive rock, rock, rollingstone.de, self-titled, triumphant[41]
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MusicBrainz ID: 93d91bd6-1b55-3751-bca7-8b9d33beb7ef[42]
Why It Matters
Queen II has Wikipedia articles in 26 language editions, a strong signal of global cultural recognition.[43] It is known by 8 alternative names across languages and contexts.[44]