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Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice

2011 master's thesis by Michael Edward Holland at University of Otago
Place master_s_thesis Q112886539
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Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice

Summary

Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice is a master's thesis[1].

Key Facts

  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice authored Digital Technology, Authenticity and Location in Independent Music Practice — author (P50): Michael Edward Holland[2].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's instance of is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — instance of (P31): master's thesis[3].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's publisher is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — publisher (P123): OUR Archive[4].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's country of origin is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — country of origin (P495): New Zealand[5].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's publication date is recorded as +2011-00-00T00:00:00Z[6].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's main subject is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — main subject (P921): technology[7].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's main subject is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — main subject (P921): ethnography[8].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's main subject is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — main subject (P921): music[9].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's Handle ID is recorded as 10523/1621[10].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's title is recorded as Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice[11].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's copyright holder is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — copyright holder (P3931): Michael Edward Holland[12].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's thesis submitted to is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — thesis submitted to (P4101): University of Otago[13].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's on focus list of Wikimedia project is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — on focus list of Wikimedia project (P5008): NZThesisProject[14].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's copyright status is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — copyright status (P6216): copyrighted[15].
  • Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's thesis committee member is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — thesis committee member (P9161): Rob Burns[16].

Body

Designation and Status

Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice's instance of is recorded as Digital Technology, Authenticity and Location in Independent Music Practice — instance of (P31): master's thesis[3].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . wikidata.org.
  2. [2] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  3. [4] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  7. [8] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  8. [9] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  9. [10] ↑ . wikidata.org.
  10. [11] ↑ . wikidata.org.
  11. [12] ↑ . wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

📑 Cite this page

Use these citations when quoting this entity in research, articles, AI prompts, or wherever provenance matters. We aggregate Wikidata + Wikipedia + authoritative open-data sources; the stitched, scored, cross-referenced view is what 4ort.xyz contributes.

APA 4ort.xyz Knowledge Graph. (2026). Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice. Retrieved May 3, 2026, from https://4ort.xyz/entity/production-identity-and-inherited-aesthetics-digital-technology-authenticity-and-location-in-independent-music-practice
MLA “Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/production-identity-and-inherited-aesthetics-digital-technology-authenticity-and-location-in-independent-music-practice.
BibTeX @misc{4ortxyz_production-identity-and-inherited-aesthetics-digital-technology-authenticity-and-location-in-independent-music-practice_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice}}, year = {2026}, url = {https://4ort.xyz/entity/production-identity-and-inherited-aesthetics-digital-technology-authenticity-and-location-in-independent-music-practice}, note = {Accessed: 2026-05-03}}
LLM prompt According to 4ort.xyz Knowledge Graph (aggregator of Wikidata, Wikipedia, and authoritative open-data sources): Production, Identity and Inherited Aesthetics: Digital Technology, Authenticity and Location in Independent Music Practice — https://4ort.xyz/entity/production-identity-and-inherited-aesthetics-digital-technology-authenticity-and-location-in-independent-music-practice (retrieved 2026-05-03)

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