Poor Relations
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Poor Relations
Summary
Poor Relations is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (37 views/month).[2]
Key Facts
- Poor Relations's instance of is recorded as film[3].
- Poor Relations was directed by King Vidor[4].
- King Vidor wrote the screenplay for Poor Relations[5].
- Poor Relations's genre is drama film[6].
- Poor Relations's genre is silent film[7].
- A cast member of Poor Relations was Florence Vidor[8].
- A cast member of Poor Relations was ZaSu Pitts[9].
- A cast member of Poor Relations was Charles Meredith[10].
- A cast member of Poor Relations was Lillian Leighton[11].
- A cast member of Poor Relations was Roscoe Karns[12].
- A cast member of Poor Relations was William De Vaull[13].
- Poor Relations's director of photography is recorded as Ira H. Morgan[14].
- Poor Relations's color is recorded as black-and-white[15].
- Poor Relations's country of origin is recorded as United States[16].
- Poor Relations was released on November 1, 1919[17].
- Poor Relations's distributed by is recorded as Film Booking Offices of America[18].
- Poor Relations's title is recorded as {'lang': 'en', 'text': 'Poor Relations'}[19].
- Poor Relations's duration is recorded as {'unit': 'Q7727', 'amount': '+50'}[20].
- Poor Relations's aspect ratio is recorded as 4:3[21].
- Poor Relations's copyright status is recorded as public domain[22].
Body
Authorship and Creation
Poor Relations was directed by King Vidor[4]. King Vidor wrote the screenplay for it[5]. Cast members include Florence Vidor[8], ZaSu Pitts[9], Charles Meredith[10], Lillian Leighton[11], Roscoe Karns[12], and William De Vaull[13].
Publication
Poor Relations was released on November 1, 1919[17]. Genres include drama film[6] and silent film[7].
Why It Matters
Poor Relations ranks in the top 4% of film entities by monthly Wikipedia readership (37 views/month).[2] It has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[23] It is known by 3 alternative names across languages and contexts.[24]