Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice
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Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice
Summary
Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice is a master's thesis[1].
Key Facts
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice authored multiplicity of voice and materiality in a contemporary art practice — author (P50): Ana Iti[2].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's instance of is recorded as multiplicity of voice and materiality in a contemporary art practice — instance of (P31): master's thesis[3].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's publisher is recorded as multiplicity of voice and materiality in a contemporary art practice — publisher (P123): Massey Research Online[4].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's language of work or name is recorded as multiplicity of voice and materiality in a contemporary art practice — language of work or name (P407): English[5].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's country of origin is recorded as multiplicity of voice and materiality in a contemporary art practice — country of origin (P495): New Zealand[6].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's publication date is recorded as +2018-00-00T00:00:00Z[7].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's main subject is recorded as multiplicity of voice and materiality in a contemporary art practice — main subject (P921): New Zealand[8].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's main subject is recorded as multiplicity of voice and materiality in a contemporary art practice — main subject (P921): Māori[9].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's main subject is recorded as multiplicity of voice and materiality in a contemporary art practice — main subject (P921): 21st century[10].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's main subject is recorded as multiplicity of voice and materiality in a contemporary art practice — main subject (P921): Māori artist[11].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's main subject is recorded as multiplicity of voice and materiality in a contemporary art practice — main subject (P921): installation art[12].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's main subject is recorded as multiplicity of voice and materiality in a contemporary art practice — main subject (P921): art[13].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's main subject is recorded as multiplicity of voice and materiality in a contemporary art practice — main subject (P921): art exhibition[14].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's Handle ID is recorded as 10179/15041[15].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's title is recorded as Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice[16].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's copyright holder is recorded as multiplicity of voice and materiality in a contemporary art practice — copyright holder (P3931): Ana Iti[17].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's thesis submitted to is recorded as multiplicity of voice and materiality in a contemporary art practice — thesis submitted to (P4101): Massey University[18].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's on focus list of Wikimedia project is recorded as multiplicity of voice and materiality in a contemporary art practice — on focus list of Wikimedia project (P5008): NZThesisProject[19].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's copyright status is recorded as multiplicity of voice and materiality in a contemporary art practice — copyright status (P6216): copyrighted[20].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's thesis committee member is recorded as multiplicity of voice and materiality in a contemporary art practice — thesis committee member (P9161): Heather Galbraith[21].
- Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's thesis committee member is recorded as multiplicity of voice and materiality in a contemporary art practice — thesis committee member (P9161): Shannon Te Ao[22].
Body
Designation and Status
Only fools, said the sparse ribbed rock, are ever lonely : multiplicity of voice and materiality in a contemporary art practice's instance of is recorded as multiplicity of voice and materiality in a contemporary art practice — instance of (P31): master's thesis[3].