Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)
painting by Thomas Phillips, RA
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Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)
Summary
Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds) is a painting[1].
Key Facts
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds) is the creator of Thomas Phillips[2].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s image is recorded as Thomas Phillips (1770-1845) - Mary Palmer (1750–1820), Countess of Inchiquin, Marchioness of Thomond (after Joshua Reynolds) - 485059 - National Trust.jpg[3].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s instance of is recorded as painting[4].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s genre is recorded as portrait[5].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s depicts is recorded as Mary Palmer, Countess of Inchiquin[6].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s made from material is recorded as oil paint[7].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s made from material is recorded as canvas[8].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s collection is recorded as National Trust[9].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s inventory number is recorded as 485059[10].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s location is recorded as Petworth House[11].
- +1805-01-01T00:00:00Z marks the founding of Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)[12].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s main subject is recorded as Mary Palmer, Countess of Inchiquin[13].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s location of creation is recorded as England[14].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s title is recorded as Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)[15].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s Art UK artwork ID is recorded as mary-palmer-17501820-countess-of-inchiquin-marchioness-of-thomond-219542[16].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+74.0'}[17].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+61.0'}[18].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s National Trust Collections ID is recorded as 485059[19].
- Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds)'s copyright status is recorded as public domain[20].
Body
Works and Contributions
Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820) (after Sir Joshua Reynolds) is the creator of Thomas Phillips[2].