John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)
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John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)
Summary
John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace) is a painting[1].
Key Facts
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace) is the creator of Thomas Hudson[2].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s instance of is recorded as painting[3].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s genre is portrait[4].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace) is made of oil paint[5].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace) is made of canvas[6].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s title is recorded as John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)[7].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+74.9'}[8].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+62.2'}[9].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s Commons compatible image available at URL is recorded as https://d3d00swyhr67nd.cloudfront.net/w1200h1200/collection/OU/UNIC/OU_UNIC_8-001.jpg[10].
- John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s copyright status is recorded as public domain[11].
Body
Authorship and Creation
John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace) is the creator of Thomas Hudson[2].
Publication
John Potter (1674?–1747), Bishop of Oxford (1715–1737), Archbishop of Canterbury (1737–1747) (copy after the full-length portrait in the Oxford Examination Schools or the three-quarter-length portrait at Lambeth Palace)'s genre is portrait[4].
Material and Period
Recorded made from material include oil paint[5] and canvas[6].