Goodbye, Mr. Chips
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Goodbye, Mr. Chips
Summary
Goodbye, Mr. Chips is a literary work[1]. It ranks in the top 3% of literary_work entities by monthly Wikipedia readership (1,225 views/month).[2]
Key Facts
- Goodbye, Mr. Chips authored James Hilton[3].
- Goodbye, Mr. Chips's instance of is recorded as literary work[4].
- Goodbye, Mr. Chips's illustrator is recorded as Bip Pares[5].
- Goodbye, Mr. Chips was published by Little, Brown and Company[6].
- Goodbye, Mr. Chips was published by Hodder & Stoughton[7].
- Goodbye, Mr. Chips's genre is psychological fiction[8].
- Goodbye, Mr. Chips's genre is children's fiction[9].
- Goodbye, Mr. Chips's Commons category is recorded as Goodbye, Mr. Chips[10].
- Goodbye, Mr. Chips's language of work or name is recorded as English[11].
- Goodbye, Mr. Chips's country of origin is recorded as England[12].
- Goodbye, Mr. Chips's country of origin is recorded as United States[13].
- Goodbye, Mr. Chips's title is recorded as {'lang': 'en', 'text': 'Goodbye, Mr. Chips'}[14].
- Goodbye, Mr. Chips's intended public is recorded as child[15].
- Goodbye, Mr. Chips's derivative work is recorded as Goodbye, Mr. Chips[16].
- Goodbye, Mr. Chips's form of creative work is recorded as novella[17].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
Body
Authorship and Creation
Goodbye, Mr. Chips authored James Hilton[3]. Publishers include Little, Brown and Company[6] and Hodder & Stoughton[7].
Publication
Goodbye, Mr. Chips's language of work or name is recorded as English[11]. Genres include psychological fiction[8] and children's fiction[9].
Why It Matters
Goodbye, Mr. Chips ranks in the top 3% of literary_work entities by monthly Wikipedia readership (1,225 views/month).[2] It has Wikipedia articles in 11 language editions, a strong signal of global cultural recognition.[20] It is known by 9 alternative names across languages and contexts.[21]