Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940

Summary

Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 is a doctoral thesis^[1].

Key Facts

• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 authored The Visuality of Three Iconic Conductors in London, 1840-1940 — author (P50): Holly Mathieson^[2].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's instance of is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — instance of (P31): doctoral thesis^[3].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's publisher is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — publisher (P123): OUR Archive^[4].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's language of work or name is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — language of work or name (P407): English^[5].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's country of origin is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — country of origin (P495): New Zealand^[6].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's publication date is recorded as +2010-00-00T00:00:00Z^[7].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's main subject is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — main subject (P921): music^[8].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's work available at URL is recorded as https://ourarchive.otago.ac.nz/handle/10523/461^[9].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's Handle ID is recorded as 10523/461^[10].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's title is recorded as Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940^[11].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's copyright holder is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — copyright holder (P3931): Holly Mathieson^[12].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's thesis submitted to is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — thesis submitted to (P4101): University of Otago^[13].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's on focus list of Wikimedia project is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — on focus list of Wikimedia project (P5008): NZThesisProject^[14].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's copyright status is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — copyright status (P6216): copyrighted^[15].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's thesis committee member is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — thesis committee member (P9161): Alan Davison^[16].
• Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's thesis committee member is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — thesis committee member (P9161): Suzanne Court^[17].

Body

Designation and Status

Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940's instance of is recorded as The Visuality of Three Iconic Conductors in London, 1840-1940 — instance of (P31): doctoral thesis^[3].