Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)
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Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)
Summary
Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio) is a painting[1].
Key Facts
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio) is the creator of Dorofield Hardy[2].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s instance of is recorded as painting[3].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s genre is recorded as portrait[4].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s depicts is recorded as Elizabeth Davers[5].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s depicts is recorded as Lady Louisa Hervey[6].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s made from material is recorded as oil paint[7].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s made from material is recorded as canvas[8].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s collection is recorded as National Trust[9].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s inventory number is recorded as 851829.1[10].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s location is recorded as Ickworth House[11].
- +1909-01-01T00:00:00Z marks the founding of Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)[12].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s main subject is recorded as Elizabeth Davers[13].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s title is recorded as Elizabeth Davers (1730–1800), Countess of Bristol, and Her Daughter Lady Louisa Theodosia Hervey (1770–1821), Later Countess of Liverpool (after Antonio de Bittio)[14].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s Art UK artwork ID is recorded as elizabeth-davers-17301800-countess-of-bristol-and-her-daughter-lady-louisa-theodosia-hervey-17701821-later-countess-of-liverpool-172030[15].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+124.5'}[16].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+99.1'}[17].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s National Trust Collections ID is recorded as 851829.1[18].
- Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio)'s copyright status is recorded as public domain[19].
Body
Works and Contributions
Elizabeth Davers, Countess of Bristol (1730-1800) and her Daughter Lady Louisa Theodosia Hervey, later Countess of Liverpool (1770-1821) (after Antonio de Bittio) is the creator of Dorofield Hardy[2].