Bonde do Rolê
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Bonde do Rolê
Summary
Bonde do Rolê is a musical group[1]. It ranks in the top 7% of musical_group entities by monthly Wikipedia readership (341 views/month).[2]
Key Facts
- Bonde do Rolê is in the country of Brazil[3].
- Bonde do Rolê's instance of is recorded as musical group[4].
- Bonde do Rolê's genre is electronic rock[5].
- Bonde do Rolê's record label is recorded as Domino Recording Company[6].
- Bonde do Rolê's Commons category is recorded as Bonde do Rolê[7].
- Bonde do Rolê's country of origin is recorded as Brazil[8].
- Bonde do Rolê comprises Marina Ribatski[9].
- 2005 marks the founding of Bonde do Rolê[10].
- Bonde do Rolê's location of formation is recorded as Curitiba[11].
- Bonde do Rolê's official website is recorded as http://www.myspace.com/bondedorole[12].
- Bonde do Rolê's start of work period is recorded as 2005[13].
- Bonde do Rolê's social media followers is recorded as {'amount': '+12977'}[14].
- Bonde do Rolê's social media followers is recorded as {'amount': '+13482'}[15].
- Bonde do Rolê's social media followers is recorded as {'amount': '+12318'}[16].
- Bonde do Rolê's social media followers is recorded as {'amount': '+12065'}[17].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Type: Group[18]
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Country: BR[19]
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Began / founded: 2005[20]
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Genre(s): funk carioca, indietronica[21]
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Community tags: brazilian, funk carioca, indietronica, south american[22]
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MusicBrainz ID: 719490ec-2962-41b9-a54e-a4cc7b65c86c[23]
Body
Founding
2005 marks the founding of Bonde do Rolê[10]. Its location of formation is recorded as Curitiba[11].
Why It Matters
Bonde do Rolê ranks in the top 7% of musical_group entities by monthly Wikipedia readership (341 views/month).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[24] It is known by 5 alternative names across languages and contexts.[25]