Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)
painting by Thomas Phillips, RA
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Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)
Summary
Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard) is a painting[1].
Key Facts
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard) is the creator of Thomas Phillips[2].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s image is recorded as Thomas Phillips (1770-1845) - The Honourable Alicia Maria Carpenter (1729–1794), Countess of Egremont (the face after Jean-Étienne Liotard) - 485051 - National Trust.jpg[3].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s instance of is recorded as painting[4].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s genre is recorded as portrait[5].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s depicts is recorded as Alicia Wyndham, Countess of Egremont[6].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s made from material is recorded as oil paint[7].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s made from material is recorded as canvas[8].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s collection is recorded as National Trust[9].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s inventory number is recorded as 485051[10].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s location is recorded as Petworth House[11].
- +1799-01-01T00:00:00Z marks the founding of Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)[12].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s main subject is recorded as Alicia Wyndham, Countess of Egremont[13].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s location of creation is recorded as England[14].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s title is recorded as Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)[15].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s Art UK artwork ID is recorded as the-honourable-alicia-maria-carpenter-17291794-countess-of-egremont-219534[16].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+74.0'}[17].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+58.5'}[18].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s National Trust Collections ID is recorded as 485051[19].
- Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard)'s copyright status is recorded as public domain[20].
Body
Works and Contributions
Alicia Maria Carpenter, Countess of Egremont (1729 – 1794) (the face after Liotard) is the creator of Thomas Phillips[2].