After the Sunset
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Summary
After the Sunset is a film[1]. It ranks in the top 3% of film entities by monthly Wikipedia readership (5,414 views/month).[2]
Key Facts
- Director: Brett Ratner[3]
- Screenwriter: Paul Zbyszewski[4]
- Composer: Lalo Schifrin[5]
- Genre: crime film[6], heist film[7], romantic comedy[8], action film[9]
- Cast member: Pierce Brosnan[10], Salma Hayek[11], Woody Harrelson[12], Don Cheadle[13], Naomie Harris[14], Chris Penn[15], Troy Garity[16], Mykelti Williamson[17], Rex Linn[18], Kate Walsh[19], Edward Norton[20], Noémie Lenoir[21], Russell Hornsby[22], Obba Babatundé[23]
- Producer: Beau Flynn[24]
- Production company: New Line Cinema[25]
- Director of photography: Dante Spinotti[26]
- Original language of film or TV show: English[27]
- Distribution format: video on demand[28]
- Review score: 4.4/10[29], 18%[30], 38/100[31]
- Color: color[32]
- Country of origin: United States[33]
- Publication date: November 10, 2004[34], January 6, 2005[35]
- Distributed by: InterCom[36], Netflix[37]
- Narrative location: The Bahamas[38]
- Official website: https://web.archive.org/web/20041012071646/http://www.afterthesunset.com/[39]
- Filming location: The Bahamas[40]
- Film editor: Mark Helfrich[41]
- Title: After the Sunset[42]
- FSK film rating: FSK 6[43]
- Duration: 93[44]
- Aspect ratio (W:H): 2.35:1[45]
- Kijkwijzer rating: 12[46]
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Album[47]
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Secondary type(s): Soundtrack[48]
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First release date: 2004-10-26[49]
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Genre(s): dancehall, pop, reggae[50]
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Community tags: dancehall, pop, reggae, rerip soundtrack, soundtrack, stage & screen[51]
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MusicBrainz ID: b637ac37-6051-3d66-9e34-eff58ea1e342[52]
Why It Matters
After the Sunset has Wikipedia articles in 24 language editions, a strong signal of global cultural recognition.[53] It is known by 29 alternative names across languages and contexts.[54]