Home › Entities › doctoral_thesis › "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music

"Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music

doctoral thesis by Leann M. Conley-Holcom, 2017
Place doctoral_thesis Q107013541
Press Enter · cited answer in seconds

"Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music

Summary

"Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music is a doctoral thesis[1].

Key Facts

  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music authored Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — author (P50): Leann Conley-Holcom[2].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's instance of is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — instance of (P31): doctoral thesis[3].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's instance of is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — instance of (P31): written work[4].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's OCLC number is recorded as 1007776205[5].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's language of work or name is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — language of work or name (P407): English[6].
  • +2017-01-01T00:00:00Z marks the founding of "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music[7].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's main subject is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — main subject (P921): shape note[8].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's main subject is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — main subject (P921): Sacred Harp[9].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's work available at URL is recorded as http://hdl.handle.net/1773/40278[10].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q56761382', 'amount': '+8'}[11].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q1069725', 'amount': '+128'}[12].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's Handle ID is recorded as 1773/40278[13].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's title is recorded as "Come, All My Dear Brethren, and Help Me to Sing"[14].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's subtitle is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music[15].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's thesis submitted to is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — thesis submitted to (P4101): University of Washington[16].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's on focus list of Wikimedia project is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — on focus list of Wikimedia project (P5008): WikiProject PCC Wikidata Pilot/University of Washington[17].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's thesis committee member is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — thesis committee member (P9161): Geoffrey Boers[18].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's thesis committee member is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — thesis committee member (P9161): Giselle Wyers[19].
  • "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music's thesis committee member is recorded as Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — thesis committee member (P9161): JoAnn Taricani[20].

Body

Designation and Status

Recorded instance of include Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — instance of (P31): doctoral thesis[3] and Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — instance of (P31): written work[4].

History and Context

+2017-01-01T00:00:00Z marks the founding of "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music[7].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . WorldCat. wikidata.org.
  2. [4] ↑ . wikidata.org.
  3. [2] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . WorldCat. wikidata.org.
  6. [7] ↑ . WorldCat. wikidata.org.
  7. [8] ↑ . wikidata.org.
  8. [9] ↑ . wikidata.org.
  9. [10] ↑ . WorldCat. wikidata.org.
  10. [11] ↑ . WorldCat. wikidata.org.
  11. [12] ↑ . WorldCat. wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . WorldCat. wikidata.org.
  16. [17] ↑ . wikidata.org.
  17. [18] ↑ . WorldCat. wikidata.org.
  18. [19] ↑ . wikidata.org.
  19. [20] ↑ . wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

📑 Cite this page

Use these citations when quoting this entity in research, articles, AI prompts, or wherever provenance matters. We aggregate Wikidata + Wikipedia + authoritative open-data sources; the stitched, scored, cross-referenced view is what 4ort.xyz contributes.

APA 4ort.xyz Knowledge Graph. (2026). "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music. Retrieved May 3, 2026, from https://4ort.xyz/entity/-come-all-my-dear-brethren-and-help-me-to-sing-dialogue-and-participation-as-foundations-for-the-choral-performance-of-sacred-harp-music
MLA “"Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/-come-all-my-dear-brethren-and-help-me-to-sing-dialogue-and-participation-as-foundations-for-the-choral-performance-of-sacred-harp-music.
BibTeX @misc{4ortxyz_-come-all-my-dear-brethren-and-help-me-to-sing-dialogue-and-participation-as-foundations-for-the-choral-performance-of-sacred-harp-music_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{"Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music}}, year = {2026}, url = {https://4ort.xyz/entity/-come-all-my-dear-brethren-and-help-me-to-sing-dialogue-and-participation-as-foundations-for-the-choral-performance-of-sacred-harp-music}, note = {Accessed: 2026-05-03}}
LLM prompt According to 4ort.xyz Knowledge Graph (aggregator of Wikidata, Wikipedia, and authoritative open-data sources): "Come, All My Dear Brethren, and Help Me to Sing": Dialogue and Participation as Foundations for the Choral Performance of Sacred Harp Music — https://4ort.xyz/entity/-come-all-my-dear-brethren-and-help-me-to-sing-dialogue-and-participation-as-foundations-for-the-choral-performance-of-sacred-harp-music (retrieved 2026-05-03)

Canonical URL: https://4ort.xyz/entity/-come-all-my-dear-brethren-and-help-me-to-sing-dialogue-and-participation-as-foundations-for-the-choral-performance-of-sacred-harp-music · Last refreshed: